In this profoundly moving book, Nobel Laureate Doris Lessing explores the lives of her parents, each irrevocably damaged by the Great War. In the fictional first half of Alfred and Emily, she imagines the happier lives her parents might have made for themselves had there been no war. This is followed by a piercing examination of their relationship as it actually was in the shadow of the devastating global conflict.

"Here I still am," says Lessing, "trying to get out from under that monstrous legacy, trying to get free." Triumphantly, with Alfred and Emily, she has done just that.

In this collection of the very best of Doris Lessing's essays, we are treated to the wisdom and keen insight of a writer who has learned, over the course of a brilliant career spanning more than half a century, to read the world differently. From imagining the secret sex life of Tolstoy to the secrets of Sufism, from reviews of classic books to commentaries on world politics, these essays cover an impressive range of subjects, cultures, periods, and themes, yet they are remarkably consistent in one key regard: Lessing's clear-eyed vision and clearly expressed prose.

Two friends, two sons, two shocking and intense love affairs . . .

Roz and Lil have been best friends since childhood. But their bond stretches beyond familiar bounds when these middle-aged mothers fall in love with each other's teenage sons--taboo-shattering passions that last for years, until the women end them, vowing to have a respectable old age. With Adore, Doris Lessing, winner of the Nobel Prize for Literature, once again proves her unrivaled ability to capture the truth of the human condition.

Introducing the Collins Modern Classics, a series featuring some of the most significant books of recent times, books that shed light on the human experience - classics which will endure for generations to come. In 1950s London, novelist Anna Wulf struggles with writer's block. Divorced with a young child, and fearful of going mad, Anna records her experiences in four coloured notebooks: black for her writing life, red for political views, yellow for emotions, blue for everyday events. But it is a fifth notebook - the golden notebook - that finally pulls these wayward strands of her life together. Widely regarded as Doris Lessing's masterpiece and one of the greatest novels of the twentieth century, 'The Golden Notebook' is wry and perceptive, bold and indispensable.

From the winner of the Nobel Prize for Literature, a compelling account of her return to the land in which she grew up. In 1956, some seven years after departed for England, Doris Lessing returned home to Southern Rhodesia. It was a journey that was both personal - a revisiting of a land and people she knew - and, inevitably, political: Southern Rhodesia was now part of the Central African Federation, where the tensions between colonialism and self-determination were at their most deeply felt. 'Going Home' is a book that combines journalism, reportage and memoir, humour, farce and tragedy; a book fired by the love of one of the twentieth century's greatest writers for a country and a continent that she felt compelled to leave.

The Nobel Prize-winner Doris Lessing's first novel is a taut and tragic portrayal of a crumbling marriage, set in South Africa during the years of Arpartheid. Set in Rhodesia, 'The Grass is Singing' tells the story of Dick Turner, a failed white farmer and his wife, Mary, a town girl who hates the bush and viciously abuses the black South Africans who work on their farm. But after many years, trapped by poverty, sapped by the heat of their tiny house, the lonely and frightened Mary turns to Moses, the black cook, for kindness and understanding. A masterpiece of realism, 'The Grass is Singing' is a superb evocation of Africa's majestic beauty, an intense psychological portrait of lives in confusion and, most of all, a fearless exploration of the ideology of white supremacy.

Doris Lessing's contemporary gothic horror story--centered on the birth of a baby who seems less than human--probes society's unwillingness to recognize its own brutality.Harriet and David Lovatt, parents of four children, have created an idyll of domestic bliss in defiance of the social trends of late 1960s England. While around them crime and unrest surge, the Lovatts are certain that their old-fashioned contentment can protect them from the world outside--until the birth of their fifth baby. Gruesomely goblin-like in appearance, insatiably hungry, abnormally strong and violent, Ben has nothing innocent or infant-like about him. As he grows older and more terrifying, Harriet finds she cannot love him, David cannot bring himself to touch him, and their four older children are afraid of him. Understanding that he will never be accepted anywhere, Harriet and David are torn between their instincts as parents and their shocked reaction to this fierce and unlovable child whose existence shatters their belief in a benign world.

Long considered Nobel Prize winner Doris Lessing's best collection of short stories, "African Stories"--a central book in the work of a truly beloved writer--is now back in print. This beautiful collection is an homage to her twenty-five years spent in Africa and a brilliant portrait of African life.
This is Doris Lessing's Africa--where she lived for twenty-five years and where so much of her interest and concern still resides. Here in these stories, Lessing explores the complexities, the agonies and joys, and the textures of life in Africa.
First published in 1965, and out of print since the 1990s, this collection contains much of Ms. Lessing's most extraordinary work. It is a brilliant portrait of a world that is vital to all of us--perceived by an artist of the first rank writing with passion and honesty about her native land.
"African Stories" includes every story Doris Lessing has written about Africa: all of her first collection, "This Was the Old Chief's Country"; the four tales about Africa from "Five"; the African stories from "The Habit of Loving" and "A Man and Two Women;" and four stories featured only in this edition.
"African Stories" represents some of Doris Lessing's best work--and is an essential book by one of the twentieth century's most important authors.

The opening book in the Nobel Prize for Literature winner's 'Children of Violence' series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain. When we first meet Martha Quest, she is a girl of fifteen living with her parents on a poor African farm. She is eager for life and resentful of the deadening narrowness of home, and escapes to take a job as a typist in the local capital. Here, in the 'big city', she encounters the real life she was so eager to know and understand. As a picture of colonial life, 'Martha Quest' succeeds by the depth of its realism alone; but always at its centre is Martha, a sympathetic figure drawn with unrelenting objectivity. Martha's Africa is Doris Lessing's Africa: the restrictive life of the farm; the atmosphere of racial fear and antagonism; the superficial sophistication of the city. And both Martha and Lessing are Children of Violence: the generation that was born of one world war and came of age in another, whose abrasive relationships with their parents, with one another, and with society are laid bare brilliantly by a writer who understands them better than any other.

The landmark novel of the Sixties - a powerful account of a woman searching for her personal, political and professional identity while facing rejection and betrayal. In 1950s London, novelist Anna Wulf struggles with writer's block. Divorced with a young child, and fearful of going mad, Anna records her experiences in four coloured notebooks: black for her writing life, red for political views, yellow for emotions, blue for everyday events. But it is a fifth notebook - the golden notebook - that finally pulls these wayward strands of her life together. Widely regarded as Doris Lessing's masterpiece and one of the greatest novels of the twentieth century, 'The Golden Notebook' is wry and perceptive, bold and indispensable.

Anna is a writer, author of one very successful novel, who now keeps four notebooks. In one, with a black cover, she reviews the African experience of her earlier years. In a red one she records her political life, her disillusionment with communism. In a yellow one she writes a novel in which the heroine relives part of her own experience. And in a blue one she keeps a personal diary. Finally, in love with an American writer and threatened with insanity, Anna resolves to bring the threads of all four books together in a golden notebook.

Doris Lessing's best-known and most influential novel, "The Golden Noteboo"k retains its extraordinary power and relevance decades after its initial publication.

'For more than four decades, Doris Lessing's work has observed the passion and confusion of human relations, holding a mirror up to our selves in her unflinching dissection of the everyday.'

From the magnificent 'To Room Nineteen', a study of a dry, controlled middle class marriage 'grounded in intelligence', to the shocking 'A Woman on the Roof', where a workman becomes obsessed with a pretty sunbather, this superb collection of stories, written over four decades, from the 1950's to the 1990's bears stunning witness to Doris Lessing's perspective on the human condition.

'"The stories in 'To Room Nineteen'' are part of the intellectual apparatus of anybody alive in England in the Fifties. I can't begin to evaluate some of them objectively; 'The Habit of Loving' and the dazzlingly cynical 'One Off The Shortlist' shaped the way I, for one, perceived the world."'
ANGELA CARTER, 'Guardian'

'"For Doris Lessing, private lives, private sins and private blisses are aspects of history, so that even in short stories, she is a chronicler of her time and its conscience too".'
LORNA SAGE, 'Observer'

Many will recall the powerful impact The Fifth Child, Doris Lessing's 1988 novel, made on publication. Its account of idyllic marital and parental bliss irredeemably shattered by the arrival of the feral fifth child of the Lovatts made for unnerving and compulsive reading. That child, Ben, now grown to legal maturity, is the central character of this sequel, which picks up the fable at the end of the childhood where the first book ended and takes our primal, misunderstood, maladjusted teenager out into the world, where again he meets mostly with mockery, fear and incomprehension but with just enough kindness and openness to keep him afloat as his adventures take him from London to the South of France and on to South America in his restless quest for community, companionship and peace. As in Mara and Dann, Doris Lessing in this newest book returns to a plain, unadorned prose fit for fables; again, we have a childlike perspective at the heart of the book; again, the world in all its malevolence and misapprehenison swirls around at the edge, while, occasionally, a strong character steps forward to try to stake out some values and practise some good behaviour. Again, it is one of Lessi

The new novel from one of the greatest twentieth-century writers. Doris Lessing returns to the world of visionary fiction, last visited in her acclaimed 'Canopus in Argos' quintet of novels in the 1980s. It is sooner than you might think. And the earth's climate is much changed -- it's colder than ever before in the north, and unbearably dry and hot in the south. Mara, who is seven, and her four-year-old brother Dann find themselves somewhere very strange, not home... They are taken in by a kindly, grandmotherly woman, but this new life is hard: hunger, dirt, thirst and danger are the children's constant companions. Drought and fire carry off their adoptive home and force them to set off northward into the unknown, to experience a series of adventures that bring them through to an altogether altered world, where they can start to learn and build anew. Doris Lessing has written a compelling, troubling and entertaining novel that, through the remarkable odyssey of a brother and sister living in the imagined future, manages to tell us a great deal about the present we only dimly perceive and scarcely know how to value.

A fierce, compelling account of the nature and origins of love from Doris Lessing, one of the most acclaimed writers of the twentieth century and winner of the Nobel Pize for Literature 2007. Sarah Durham, sixty-year-old producer and founder of a leading fringe theatre company, commissions a play based on the journals of Julie Vairon, a beautiful, wayward nineteenth-century mulatto woman. It captivates all who come into contact with it, and dramatically changes the lives of all those who take part in it. For Sarah the changes are profound - she falls in love with two younger men, causing her to relive her own stages of growing up, from immature and infantile with the beautiful and androgynous Bill, to a mature love with Henry.

Three acclaimed works for the stage by Doris Lessing, winner of the Nobel Prize for Literature Written from 1950s to the 1970s, the three plays collected here reflect the social and political concerns of the times, and are rich with Doris Lessing's characteristic passion and incisiveness. 'Play with a Tiger' follows the fortunes of Anna and Dave, representatives of the emerging post-war classless society, and their attempts to find a blueprint for living. 'The Singing Door', written for children, is a highly experimental play, a clever and witty allegorical study of power games. 'Each His Own Wilderness' tells the story of Myra, who has fought all her life for the socialist ideal, and who must now come to terms with the fact that despite her best efforts, her son is indifferent to her politics.

The fourth book in the Nobel Prize for Literature winner's 'Children of Violence' series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain. In the aftermath of the Second World War, Martha Quest finds herself completely disillusioned. She is losing faith with the communist movement in Africa, and her marriage to one of the movement's leaders is disintegrating. Determined to resist the erosion of her personality, she engages in a love affair and breaks free, if only momentarily, from her suffocating unhappiness.

The fifth and final book in the Nobel Prize for Literature winner's 'Children of Violence' series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain. 'The Four-Gated City' finds Martha Quest in 1950s London and very much part of the social history of the time: the Cold War, the anti-nuclear Aldermaston Marches, Swinging London, the deepening of poverty and social anarchy. Daring to go a step further - as Lessing so often has in her career - the novel ends with the century in the throes of World War Three. In the four previous novels of the 'Children of Violence' series, Lessing explored the end of an epoch. Here she trains her gaze on the present - and the future. The disquieting power of her vision revealed across this series finds its culmination in this brave and visionary work.

A collection of interviews with the winner of the Nobel Prize for Literature that serves as an invaluable companion to her work. Doris Lessing is one of the greatest literary figures of the twentieth and twenty-first centuries. These interviews give us her thoughts on her early years as a communist and fledgling writer in Southern Rhodesia, her views on marriage, the family and feminism, on other writers from Tolstoy to Lawrence, and on her later experiments in psychotherapy and mysticism. She reveals how these preoccupations have influenced her own work, from 'The Golden Notebook' to her acclaimed autobiographical masterpiece 'Under My Skin'. The book is essential reading for anyone who wishes to understand not just Lessing, but also the profound impact she has had on our age.

The grande dame of English literature -- one of her finest short story collections, beautifully repackaged Doris Lessing is unrivalled in her ability to capture the truth from the complexities of relationships and the stories in this wonderful collection have lost none of their original power. Two marriages, both middle class, liberal and 'rather literary', share a shocking flaw, a secret 'cancer'. A young, beautiful woman from a working class family is courted by a very eligible, very upmarket man. An ageing actress falls in love for the first time but can only express her feelings through her stage performances because her happily married lover is unobtainable. A dedicated, lifelong rationalist is tempted, after the death of his father, by the comforts of religious belief. In this magnificent collection of stories, which spans four decades, Doris Lessing's unique gift for observation, her wit, her compassion and remarkable ability to illuminate the complexities of human life are all remarkably displayed.

An essential and definitive collection of the Nobel Prize for Literature winner's finest essays, reviews, reminiscences and interviews from the 1950s, 1960s and 1970s. 'The novelist talks as an individual to individuals, in a small personal voice. In an age of committee art, public art, people may begin to feel again a need for the small personal voice; and this will feed confidence into writers and, with confidence because of the knowledge of being needed, the warmth and humanity, and love of people which is essential for a great age of literature.' In this collection of her non-fiction, Lessing's own life and work are the subject of a number of pieces, as are fellow writers such as Isak Dinesen and Kurt Vonnegut. There are essays on Malcolm X and Sufism, discussions of the responsibility of the artist, thoughts on her exile from Southern Rhodesia, and a fascinating memoir of her fraught relationship with her mother. Lit throughout by Doris Lessing's desire for truth-telling, 'A Small Personal Voice' is both an important collection of writings by and a self-portrait of one of the most significant writers of the past century.

The companion to a series of lectures given by Lessing, winner of the Nobel Prize for Literature, in which she addresses some of the most important questions facing us today. 'This is a time when it is frightening to be alive, when it is hard to think of human beings as rational creatures. Everywhere we look we see brutality, stupidity, until it seems that there is nothing else to be seen but that - a descent into barbarism, everywhere, which we are unable to check. But I think that while it is true there is a general worsening, it is precisely because things are so frightening we become hypnotized, and do not notice - or if we notice, belittle - equally strong forces on the other side, the forces, in short, of reason, sanity and civilization ...' In this published version of a series of perceptive and thought-provoking lectures, Lessing stresses the importance of independent thought, of questioning received opinion and fighting the lure of apathy. She argues that only if we are free to interrogate authority and disagree that despotism and ignorance can be defeated. We must examine 'ideas, from whatever source they come, to see how they may usefully contribute to our lives and to the societies we live in'.

The third book in the Nobel Prize for Literature winner's 'Children of Violence' series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain. '"The personal life of a comrade would be arranged so that it interferes as little as possible with work," he said. Martha had not imagined that the "personal talk" with Anton would arise like an item on an agenda; she now felt frivolous because she had been looking forward to something different ...' The 'Children of Violence' series established Doris Lessing as a major radical writer. In this third volume, Martha, now free of her stultifying marriage to Douglas, is able to pursue the independent life she has wanted for so long. Her deepening involvement with South African revolutionary politics draws her into a world of fierce commitments and passionate idealism. A time of great change, Martha's young womanhood brings not only immense happiness when she embarks on an affair with a fellow party member, but also great sorrow - for the pain of abandoning Caroline, her baby daughter, left at home with Douglas, never diminishes ...

The second book in the Nobel Prize for Literature winner's 'Children of Violence' series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain. 'A Proper Marriage' sees twenty-something Martha beginning to realise that her marriage has been a terrible mistake. Already the first passionate flush of matrimony has begun to fade; sensuality has become dulled by habit, blissful motherhood now seems no more than a tiresome chore. Caught up in a maelstrom of a world war she can no longer ignore, Martha's political consciousness begins to dawn, and, seizing independence for the first time, she chooses to make her life her own.

In the 1980s and early 1990s, Doris Lessing made several visits to her homeland, Zimbabwe, a country from which she had been banned for twenty-five years for her opposition to the government of what was then white Southern Rhodesia. Mingling memory and reportage in vivid detail, Doris Lessing pays passionate and profound testament to an extraordinary country, its landscape, people and unquenchable spirit. 'African Laughter' is both a shrewd and perceptive portrait of a modern African state emerging from its bloody and terrible colonial history, and a candid and moving insight into the mind of one of this century's finest writers.

"An eloquent statement, one of the strengths of this account of a nation's tragedy is that Doris Lessing evokes not sadness but laughter. She describes this as 'the marvellous African laughter born somewhere in the gut, seizing the whole body with good-humoured philosophy. It is the laughter of poor people'."
TLS

"Innumerable conversations – of Africans, among them poets and teachers and cooks; of whites, some of whom have 'taken the gap' to South Africa then returned, disillusioned – contribute to Doris Lessing's picture of the new Zimbabwe. Enthralling, significant and provocative."
INDEPENDENT

"'African Laughter' conveys a country and its people more completely than any other book I have read. It is filled with stories, anecdotes, newspaper cuttings, poems, obituaries, songs, even Doris Lessing's synopsis for a film – the cumulative effect is extraordinary. As well as a remarkable immediacy, the narrative has an irrepressible physical vigour which reflects perfectly the vitality of the Zimbabwean people."
DAILY TELEGRAPH

An Aristophanic counterpoint, between the comic and the serious, zigzags like a golden thread from the start to finish of this marvellous book. Delightful and profoundly moving."
LISTENER